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« I'm looking forward to seeing multiculturalism at work in Paris. The opening ceremony sneered at, insulted, Christianity. Let's see these brave culture warriors do the same for Islam in the closing ceremony. »
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The opening ceremony of the 2024 Paris Olympics drew significant backlash from Catholic bishops for what they thought was the representation of Leonardo da Vinci's painting "The Last Supper" with a "drag queen" performance, which they considered to be disrespectful to religious beliefs.
However, the opening ceremony choreographer Thomas Jolly denied parodying the Last Supper. He explained that the scene was intended to promote tolerance of different sexual and gender identities. It featured French actor Philippe Katerine who appeared almost naked and painted blue as Dionysus, the Greek god of wine and pleasure.
Dionysus was the bastard son of Zeus, the King of the Greek Gods, who was said to have taken up residence in Olympia around 1200 BC.
As several scholars of ancient Greek history have long pointed out, the authors of the New Testament appear to have based much of their narrative of the life and death of Jesus on the life and death of the mythical Greek God, Dionysus.
It is not surprising that the Catholic bishops and many other devotees of various Christian denominations projected their religious beliefs onto what they were persuaded was a familiar scene.
The historical reference to Dionysus, the god of wine and pleasure of Greek mythology, and the popular celebration of the Olympic Games, bringing people together worldwide, obviously missed its mark.
Too intellectual, I’m afraid. Just another example of people seeing what they believe – but which, in fact, they simply ignore.
Not everybody is conversant with Greek mythology.
That’s life, I guess.
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