The Forum > General Discussion > Housewife sings opera, knocks their socks off
Housewife sings opera, knocks their socks off
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>>The point I see in what Bronwyn's said is why should there be a need for a "transformational moment" at all<<
Because that's what we, the audience, tune in to be exposed to. It's what makes the ratings. It's what drives 50 million YouTube views.
For a start, I would strongly suggest that there could not possibly have been any surprise at all at the judges' table, given that the contestants are not simply pulled off the street and told to perform. They are stage managed, choreographed and groomed before being let in front of the audience.
It would be fair to suggest that she was presented to the audience by the show's producers in the mode most likely to create the "transformation" narrative. The image was built for us, not for her.
Here's some hindsight for you, courtesy of Crikey's Ross Stapleton.
"Boyle is following the same viral trajectory used by the show to turn 2007 winner Paul Potts into a YouTube smash. First time round Potts was sold as a humble Welsh car phone salesman. In reality he was actually the store manager where he worked. Also before he warbled his way through Nessun Dorma in a televised audition before the same Simon Cowell-led panel now effusively singing Boyle’s praises, Potts claimed to suffer from a lack of confidence. Yet he’d been a Bristol City Councillor for years, and had already sung in leading roles with a half-decent amateur opera company. He had also performed in front of 15,000 with members of the Royal Philharmonic Orchestra."
And there's more.
"Shaheen Jafargholi, a 12-year-old Welsh contestant, was stopped by Cowell mid-way through his hopeful show stopper, as Cowell opined it wasn’t happening for him and could he sing something else? Of course he could and they just happened to have the backing tape all ready to go as he launched into a blisteringly good performance of Smokey Robinson’s Who's Loving You"
The "transformation" here was from just-about-to-fail, to conquering hero. Same narrative. Gender irrelevant.
We have to believe the story, or the suspense is lost.