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A song and dance in China : Comments
By Brian Hennessy, published 6/7/2011What can we make of the reappearance of Maoist-era revolutionary rhetoric in China?
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He's still a long shot to make this cut this round, but I'd say he's a shoe-in for the following committee.
The songs represent just one aspect of the experiment Bo Xilai's been undertaking in Chongqing. There have been substantial economic reforms, (thought I'd argue they're more of a regression and represent further control by the state over private property) and the acquisition of the TV station was one example of this.
There's a great article here: http://cmp.hku.hk/2011/06/01/12940/
Which includes extensive commentary by one of the journalists laid off when the TV station was acquired. It offers a glimpse of the kind of mindset behind these changes.
I don't think the primary reason for this red culture revival is the leadership transition, although that's certainly an influential element. I'd say it's primarily a drive by Bo Xilai to cement his own place within the hierarchy and partly an effort to address an ideological vacuum in modern China.