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Xavier Herbert remembered : Comments
By Greg Barns, published 15/11/2004Greg Barns pays tribute to Xavier Herbert and his fights for indigenous rights, a republic and environmental sustainability.
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One reason for this shocking neglect of one of our culture's great novels is that too few critics have understood its use of genre. Northrop Frye, in the Anatomy of Criticism described four genres of prose fiction: ‘anatomy’, ‘confession’, ‘romance’ and ‘novel’ and his descriptionsof each are very helpful if you want to understand how Poor Fellow My Country works.
One problem for many critics has been that the book’s central genre, romance, is undervalued nowadays in comparison with ‘novel’. That is why many critics pay so much attention to Delacy, the ‘novel’ anti-hero, and so little to Prindy, the romance hero. Concentrating not on the symbol and allegory of romance but on the social history and psychology of ‘novel’, such critics fail even to recognise, let alone explore, Prindy’s complex importance in the novel.
A second problem is that the anatomy elements are rarely recognised as valid conventions of a long-established prose fiction genre. Instead, therefore, of being examined for what they achieve and how well they achieve it, the anatomy elements are often described as failed attempts to utilise ‘novel’ conventions and criticised accordingly. The following is typical. ‘Too much of the narration is flat dialogue or prosy exposition. The social anthropology is explained, not dramatised’. The standards applied here are inappropriate to anatomy. It is the ‘novel’ in which, as Frye says, an ‘interest in ideas and theoretical statements is alien’ and the ‘technical problem is to dissolve all theory into personal relationships’. To criticise Poor Fellow My Country for explaining rather than dramatising ideas is to criticise it for selecting the conventions of anatomy over those of ‘novel’.
A fuller explanationt of these ideas can be found in 'A Long and Winding Road' (UWA Press)