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The politics of country music : Comments
By Rae Wear, published 14/12/2006Country music reflects and sustains a series of political meanings that have long been part of the history of the nation.
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We are getting a few lyrics about it, but not to the full extent. Take the plight of our WA dairy farmers who have never been so unfairly treated with the buyers sucking up to the consumers, but still refusing to give the Milkies much more than enough to live on.
Reckon the days when us kids used to practice singing while pulling the teats, or chasing sheep and cattle on horseback, even crooning classics like Oh Sweet Mystery of Life, which we were not allowed to sing with grown-ups as they read the written rolls as they clustered round the pianola. Of course, us with legs long enough could peddle the bellows, but a smack across the ear was expected just for even a murmer out of the mouth
Cows encouraged sweet crooning music, as when they gave us nips a loving lick, or a saddlehorse might contentedly canter along to the sound of a singing kid cowboy, or maybe the other way round.
But nowadays nobody much in the bush gets a look in. Especially in mining or money pit WA, where more a loud-mouthed sort of music is sung not to the mooey murmer of a contented cow, or the clippety hooves of a happy horse, but more out loud to the swish of tyres or the clank of tracks.
In the bush it has us all wondering whether the good old days will ever come back again?
But the biggest loss to a bush thinker, is the loss of togetherness in the country towns, the only togetherness possibly that of sport, but with too much of the emulated commercialised TV slickness of the city, lacking the old bush insight or commonsense, which was probably why the lecturer novelist Geoffrey Searle even back in the 1980's wrote that popular Aussie book called From Deserts the Prophets Come.